WORKS
2012/02/10
Between VISUAL and SPATIAL exhibition
- Partnership Programs of "Yebisu International Festival for Art & Alternative Visions 2012"
ARTIST (A to Z)
- Andy Graydon http://www.andygraydon.net
- Giuseppe la Spada http://www.giuseppelaspada.com
- Jacob Kirkegaard http://www.fonik.dk
- Marianthi Papalexandri-Alexandri http://www.marianthi.net
- Pe Lang http://www.pelang.ch
- Yann Novak http://www.yannnovak.com
Exhibition : 10th February - 11th March 2012
Open : Tuesday - Sunday 12:00 - 20:00
Address : gift_lab
202 Maruyama-building , 1-16-1 Ebisu-Nishi, Shibuya-ku, 150-0021 Tokyo, Japan
Tel: 03.5784.0441
http://www.giftlab.jp
〒150-0021 東京都渋谷区恵比寿西1-16-1 丸山ビル2F
電話:03-5784-0441
JR「恵比寿駅」西口・東京メトロ日比谷線「恵比寿駅」出口 4 より徒歩 3 分, 東急東横線「代官山駅」より徒歩 5 分
curation : gift_lab & mAtter
gift_lab : http://www.giftlab.jp
mAtter : http://www.mAtter.jp
Artist Coordinator : Yukitomo Hamasaki (mAtter)
Translator English to Japanese : shotahirama (mAtter, SIGNALDADA)
Video Projection Technical Support : Junji Koyanagi (mAtter)
++ EVENT : Artist Talk Session
11th Feb : Andy Graydon and Jacob Kirkegaard
18th Feb : Pe Lang and Marianthi Papalexandri-Alexandri (1st session)
18th Feb : Giuseppe La Spada and con_cetta (2nd session )
25th Feb : Yann Novak
more information : TBA
Andy Graydon
Andy Graydon was born and raised in Maui, Hawaii and originally trained as a filmmaker. Both experiences have been influential on his current work, which is focused on the interaction of media and environment in the forming of personal and social subjectivities. Taking the form of projected light and video installations, photographs, sound works, and architectural interventions that are attuned to site and context, Graydon’s work explores the interplay of phenomenal, ecological, and social constructions that make up our composite notion of place.
Much of this work uses cinema and pseudo-cinematic forms (including sound) to address concerns familiar to environmental art, while extending concepts of the environment to encompass the role of mediation in constructing and modulating natural and built environments, as well as "the environment", or the ground of our existence.
Graydon describes many of his projects as “science fiction ecologies,” suggesting that what is most important are the speculative potentials that circulate through an environment ? the what-ifs and the parallel dimensions; real and potential traumas and erasures; reversals of scale and time course; conflations of fictional and factual existence. Graydon’s work tries to engage the future dynamic latent within the present material existence, inviting transformations of both the environment and the perceiving subject.

Giuseppe la Spada
Giuseppe was born in Palermo in 1974. In 2002 he graduated with honors in Digital Design at the European Institute for Design in Rome, where he remained as a professor until 2004.
In 2002 he was invited to “Opera Totale 7” as one of the five best emergent Italian web designers.
In 2006 the European Institute for Design in Rome conferred him the prize for best carrier in Visual Arts.
In 2007 he won the prestigious Webby Awards, thanks to an ecological web project: the website “Mono No Aware” in support of the project “Stop Rokkasho” founded by Oscar winner Ryuichi Sakamoto. That same evening also David Bowie, Beastie Boys and YouTube founders received an award. In 2008 he worked with Sakamoto and Fennesz during the tournèe “Cendre”, which ended with the unforgettable show at Ground Zero in New York.
In 2009, together with the musician Con_cetta, he gave life to “Afleur”, a live show which in 2010 he also declined in a very particular object-book, featuring high artistic and ecological value.
In 2011, with the participation of more than 600 people, he staged an impressive human tree in Piazza Duomo, Milan, in order to raise public awareness on the problem of pollution.
The exclusive use of natural elements (water in the first place) positions him as one of the artists most sensitive to environmental issues. One of his peculiar characteristics is the ability to translate communication needs and raw ideas into 360° creative projects, making skillful use of all the different media available today. He lives and works in Milan.

Andy Graydon was born and raised in Maui, Hawaii and originally trained as a filmmaker. Both experiences have been influential on his current work, which is focused on the interaction of media and environment in the forming of personal and social subjectivities. Taking the form of projected light and video installations, photographs, sound works, and architectural interventions that are attuned to site and context, Graydon’s work explores the interplay of phenomenal, ecological, and social constructions that make up our composite notion of place.
Much of this work uses cinema and pseudo-cinematic forms (including sound) to address concerns familiar to environmental art, while extending concepts of the environment to encompass the role of mediation in constructing and modulating natural and built environments, as well as "the environment", or the ground of our existence.
Graydon describes many of his projects as “science fiction ecologies,” suggesting that what is most important are the speculative potentials that circulate through an environment ? the what-ifs and the parallel dimensions; real and potential traumas and erasures; reversals of scale and time course; conflations of fictional and factual existence. Graydon’s work tries to engage the future dynamic latent within the present material existence, inviting transformations of both the environment and the perceiving subject.
Giuseppe la Spada
Giuseppe was born in Palermo in 1974. In 2002 he graduated with honors in Digital Design at the European Institute for Design in Rome, where he remained as a professor until 2004.
In 2002 he was invited to “Opera Totale 7” as one of the five best emergent Italian web designers.
In 2006 the European Institute for Design in Rome conferred him the prize for best carrier in Visual Arts.
In 2007 he won the prestigious Webby Awards, thanks to an ecological web project: the website “Mono No Aware” in support of the project “Stop Rokkasho” founded by Oscar winner Ryuichi Sakamoto. That same evening also David Bowie, Beastie Boys and YouTube founders received an award. In 2008 he worked with Sakamoto and Fennesz during the tournèe “Cendre”, which ended with the unforgettable show at Ground Zero in New York.
In 2009, together with the musician Con_cetta, he gave life to “Afleur”, a live show which in 2010 he also declined in a very particular object-book, featuring high artistic and ecological value.
In 2011, with the participation of more than 600 people, he staged an impressive human tree in Piazza Duomo, Milan, in order to raise public awareness on the problem of pollution.
The exclusive use of natural elements (water in the first place) positions him as one of the artists most sensitive to environmental issues. One of his peculiar characteristics is the ability to translate communication needs and raw ideas into 360° creative projects, making skillful use of all the different media available today. He lives and works in Milan.
Jacob Kirkegaard
Jacob Kirkegaard is a Danish artist who focuses on the scientific and aesthetic aspects of resonance, time, sound and hearing. His installations, compositions and performances deal with acoustic spaces and phenomena that usually remain imperceptible. Using unorthodox recording tools, including accelerometers, hydrophones and home-built electromagnetic receivers, Kirkegaard captures and contextualizes hitherto unheard sounds from within a variety of environments : a geyser, a sand dune, a nuclear power plant, an empty room, a TV tower, and even sounds from the human inner ear itself.
Based in Berlin, Kirkegaard is a graduate of the Academy for Media Arts in Cologne, Germany. Over the last fifteen years, Kirkegaard has presented his works at exhibitions and at festivals and conferences throughout the world such as Club Transmediale in Berlin, James Cohan Gallery and Diapason in New York as well as Museum of Jurassic Technology in Los Angeles and Museum of Contemorary Art in Denmark. He has released five albums (mostly on the British label Touch). Jacob is also a member of the sound art collective freq_out.

Jacob Kirkegaard is a Danish artist who focuses on the scientific and aesthetic aspects of resonance, time, sound and hearing. His installations, compositions and performances deal with acoustic spaces and phenomena that usually remain imperceptible. Using unorthodox recording tools, including accelerometers, hydrophones and home-built electromagnetic receivers, Kirkegaard captures and contextualizes hitherto unheard sounds from within a variety of environments : a geyser, a sand dune, a nuclear power plant, an empty room, a TV tower, and even sounds from the human inner ear itself.
Based in Berlin, Kirkegaard is a graduate of the Academy for Media Arts in Cologne, Germany. Over the last fifteen years, Kirkegaard has presented his works at exhibitions and at festivals and conferences throughout the world such as Club Transmediale in Berlin, James Cohan Gallery and Diapason in New York as well as Museum of Jurassic Technology in Los Angeles and Museum of Contemorary Art in Denmark. He has released five albums (mostly on the British label Touch). Jacob is also a member of the sound art collective freq_out.
Marianthi Papalexandri-Alexandri
Marianthi Papalexandri-Alexandri (b.1974) is a Berlin based composer, artist and performer. Her work includes compositions for instruments and sound objects that she creates herself and in collaboration with artist Pe Lang, presented in a form of a live performance and audio-visual installation. Papalexandri’s work focuses on the reexamination and reinvention of the musical instrument as a sound generator, as well as the type of sound production and behaviour of the performer. Her work involves a continues interaction between the visual to the musical. It is also a work which demands absolute focus, clarity and economy of means.
Performances and exhibitions of Papalexandri’s works include San Francisco Art Institute (2011), de Signel (2011), November Music Festival (2011), Galerie Mario Mazzoli, Berlin (2011); Das Weekend Transmediale / Stattbad, Berlin (2011); Centre d Art Santa Mònica, Barcelona (2010); Kunsthaus L6, Freiburg (2010); Dialogue Festival, Salzburg (2010); impuls Graz, (2009); COMA Gallery (Berlin 2009); Ultrashall Festival, Berlin (2008);
Wien Modern, Vienna (2008); Internationalen Ferienkurse für Neue Musik Darmstadt, Darmstadt (2008); Ultraschall, Berlin (2008); Yerba Buena Center for the Arts Theater (2006); ISCM-World New Music Days (Stuttgart 2006), in performances by Klangforum Wien, Ensemble Mosaik, Ensemble SurPlus, Quartet New Generation, Orkest de Volharding and the London Improvisers Orchestra among others.
Papalexandri holds a Ph.D from the University of California, San Diego where she studied with Chaya Czernowin and Rand Steiger as well as a Post-graduate Diploma in Composition from the Universität für Musik und darstellende Kunst Wien. Prior to UCSD, Papalexandri studied with Roger Redgate at Goldsmiths College, University of London, where she obtained a Bachelor of Music and Master’s degree in composition. She has received numerous prizes and awards including the Impuls award, the Dan David Prize, the Stipendienpries der Darmstadter Ferienkurse, the Kurt Weil Fellowship, the Robert Erickson Scholarship and the Berliner Kompositions stipendien 2011. In 2012 she will be in residence at the Academy
Schloss Solitude in Stuttgart.

Marianthi Papalexandri-Alexandri (b.1974) is a Berlin based composer, artist and performer. Her work includes compositions for instruments and sound objects that she creates herself and in collaboration with artist Pe Lang, presented in a form of a live performance and audio-visual installation. Papalexandri’s work focuses on the reexamination and reinvention of the musical instrument as a sound generator, as well as the type of sound production and behaviour of the performer. Her work involves a continues interaction between the visual to the musical. It is also a work which demands absolute focus, clarity and economy of means.
Performances and exhibitions of Papalexandri’s works include San Francisco Art Institute (2011), de Signel (2011), November Music Festival (2011), Galerie Mario Mazzoli, Berlin (2011); Das Weekend Transmediale / Stattbad, Berlin (2011); Centre d Art Santa Mònica, Barcelona (2010); Kunsthaus L6, Freiburg (2010); Dialogue Festival, Salzburg (2010); impuls Graz, (2009); COMA Gallery (Berlin 2009); Ultrashall Festival, Berlin (2008);
Wien Modern, Vienna (2008); Internationalen Ferienkurse für Neue Musik Darmstadt, Darmstadt (2008); Ultraschall, Berlin (2008); Yerba Buena Center for the Arts Theater (2006); ISCM-World New Music Days (Stuttgart 2006), in performances by Klangforum Wien, Ensemble Mosaik, Ensemble SurPlus, Quartet New Generation, Orkest de Volharding and the London Improvisers Orchestra among others.
Papalexandri holds a Ph.D from the University of California, San Diego where she studied with Chaya Czernowin and Rand Steiger as well as a Post-graduate Diploma in Composition from the Universität für Musik und darstellende Kunst Wien. Prior to UCSD, Papalexandri studied with Roger Redgate at Goldsmiths College, University of London, where she obtained a Bachelor of Music and Master’s degree in composition. She has received numerous prizes and awards including the Impuls award, the Dan David Prize, the Stipendienpries der Darmstadter Ferienkurse, the Kurt Weil Fellowship, the Robert Erickson Scholarship and the Berliner Kompositions stipendien 2011. In 2012 she will be in residence at the Academy
Schloss Solitude in Stuttgart.
Pe Lang
Pe Lang, born in 1974 in Switzerland, lives and works in Zurich and Berlin. He has exhibited and performed in several important museums, galleries and festivals, including Transmediale, Berlin; AV Festival, Newcastle; Elektra, Montreal; Sonic Acts XII, Amsterdam; Great North Museum, Newcastle; VAdxjv Kunsthalle, Sweden; Dissonanze, Rome; bitforms gallery, New York; ISEA 2008, Singapore; Netherlands Media Art Institute, Amsterdam; and Cybersonica, London.
Selected awards and residencies include the Swiss Art Award (2009 & 2010)
Sitemapping/Mediaprojects Award-Bundesamt fur Kultur (2005, 2008 and 2011), artists-in-labs Center for Electronics and Microtechnology (2007)

Pe Lang, born in 1974 in Switzerland, lives and works in Zurich and Berlin. He has exhibited and performed in several important museums, galleries and festivals, including Transmediale, Berlin; AV Festival, Newcastle; Elektra, Montreal; Sonic Acts XII, Amsterdam; Great North Museum, Newcastle; VAdxjv Kunsthalle, Sweden; Dissonanze, Rome; bitforms gallery, New York; ISEA 2008, Singapore; Netherlands Media Art Institute, Amsterdam; and Cybersonica, London.
Selected awards and residencies include the Swiss Art Award (2009 & 2010)
Sitemapping/Mediaprojects Award-Bundesamt fur Kultur (2005, 2008 and 2011), artists-in-labs Center for Electronics and Microtechnology (2007)
Yann Novak
Yann Novak is a sound, video and installation artist living and working in Los Angeles.
Novak has presented his installation work through solo exhibitions at 323 Projects (CA), Armory Center for the Arts (CA), Las Cienegas Projects (CA), Lawrimore Project (WA), Soundfjord (London, UK) and in two person exhibitions at the Henry Art Gallery (WA), Pøst (CA) and Soil Art Gallery (WA). His sound works and scores have been presented internationally as part of multiple group exhibitions and diffusions at venues and events including the American Academy in Rome (Rome, Italy), Aqua Art Miami (FL), File Hipersonica (Brazil), London International Festival of Exploratory Music (London, UK), San Francisco Museum of Modern Art (CA), Suyama Space (WA), TBA Festival (OR), Western Bridge (WA) and others.
His solo and collaborative sound works have been published on 14 CD and CD-R releases on such labels as Dragon’s Eye Recordings (CA), Hibernate Recordings (United Kingdom), Infrequency Editions (Canada), Koyuki (Italy), LINE (DC) and White.Line Editions (United Kingdom).
Novak’s performance work have been experienced internationally at sound art/electronic music festivals including the AxS Festival (CA), Decibel Festival (WA), Forward Festival (DC), Mutek Festival (Montreal, QB), Resonant Forms Festival (CA), Soundwalk (CA) and at art venues and museums including the Fiske Planetarium (CO), Los Angeles County Museum of Art (CA), Oboro (Montreal, QB), The Stone (NY), Torrance Art Museum (CA) and others.
Yann Novak is a sound, video and installation artist living and working in Los Angeles.
Novak has presented his installation work through solo exhibitions at 323 Projects (CA), Armory Center for the Arts (CA), Las Cienegas Projects (CA), Lawrimore Project (WA), Soundfjord (London, UK) and in two person exhibitions at the Henry Art Gallery (WA), Pøst (CA) and Soil Art Gallery (WA). His sound works and scores have been presented internationally as part of multiple group exhibitions and diffusions at venues and events including the American Academy in Rome (Rome, Italy), Aqua Art Miami (FL), File Hipersonica (Brazil), London International Festival of Exploratory Music (London, UK), San Francisco Museum of Modern Art (CA), Suyama Space (WA), TBA Festival (OR), Western Bridge (WA) and others.
His solo and collaborative sound works have been published on 14 CD and CD-R releases on such labels as Dragon’s Eye Recordings (CA), Hibernate Recordings (United Kingdom), Infrequency Editions (Canada), Koyuki (Italy), LINE (DC) and White.Line Editions (United Kingdom).
Novak’s performance work have been experienced internationally at sound art/electronic music festivals including the AxS Festival (CA), Decibel Festival (WA), Forward Festival (DC), Mutek Festival (Montreal, QB), Resonant Forms Festival (CA), Soundwalk (CA) and at art venues and museums including the Fiske Planetarium (CO), Los Angeles County Museum of Art (CA), Oboro (Montreal, QB), The Stone (NY), Torrance Art Museum (CA) and others.
2011/11/22
Yukitomo Hamasaki | Exhibition
- the next form that is formed -

EXHIBITION : 6th Dec. - 25th Dec. / open : Tuesday - Sunday 12:00 - 20:00
EXHIBITION : 12月6日 - 12月25日 / オープン 火曜-日曜 12:00 - 20:00 / 月曜:定休日
Address :
gift_lab
202 Maruyama-building , 1-16-1 Ebisu-Nishi, Shibuya-ku, 150-0021 Tokyo, Japan
Tel: +81-3-5784-0441
http://www.giftlab.jp
住所:
〒150-0021 東京都渋谷区恵比寿西1-16-1 丸山ビル2F
電話: work03-5784-0441
JR「恵比寿駅」西口・東京メトロ日比谷線「恵比寿駅」出口 4 より徒歩 3 分, 東急東横線「代官山駅」より徒歩 5 分


- untitled ( hold opinions without interference )
EXHIBITION : 6th Dec. - 25th Dec. / open : Tuesday - Sunday 12:00 - 20:00
EXHIBITION : 12月6日 - 12月25日 / オープン 火曜-日曜 12:00 - 20:00 / 月曜:定休日
Address :
gift_lab
202 Maruyama-building , 1-16-1 Ebisu-Nishi, Shibuya-ku, 150-0021 Tokyo, Japan
Tel: +81-3-5784-0441
http://www.giftlab.jp
住所:
〒150-0021 東京都渋谷区恵比寿西1-16-1 丸山ビル2F
電話: work03-5784-0441
JR「恵比寿駅」西口・東京メトロ日比谷線「恵比寿駅」出口 4 より徒歩 3 分, 東急東横線「代官山駅」より徒歩 5 分
- untitled ( hold opinions without interference )
2011/10/21
DATA | MATTER010 Ákos Garai :: Three Shaded Leaves (for Bernhard Günter)
We will release a new work on November 01, 2011.
artist :: Ákos Garai
title :: Three Shaded Leaves (for Bernhard Günter)
01. Leaf 1
02. Leaf 2
03. Leaf 3
+
additional Special bonus PDF book :: The PDF is automatically added to the only people who bought the album.
LABEL :: mAtter
CAT NO. :: MATTER010
PRICE :: 7,50 JPYEN
FORMAT :: data ( download only )
RELEASE DATE :: 2011.11.01
Mastering : Yukitomo Hamasaki
Photo : Ákos Garai
Sleeve design : Yukitomo Hamasaki
PDF Book
Photos : Ákos Garai
Design : Yukitomo Hamasaki
mAtter DOWNLOAD STORE
-
Liner Notes ::
Dedication is always presuming a special relationship between the "sender” and the "addressed”
persons. Often, it is a kind of "master and slave” connection which can be defined with such words
as honor, respect, and responsibility.
My first encounter with Bernhard Günter’s music was back in 1997. Two of his excellent pieces,
namely "Details Agrandis” and later "Impossible Grey” have changed my entire idea of what I call
music and musicality. Thanks to these radical masterpieces of monochrome heaven, my listening
activity has turned into a new state of mind where sounds do not distract the listener’s attention
from music; rather, every sound event, and movement carries the same importance and evidence
in the composition.
In his own album titles, Bernhard Günter has often dedicated his work to others (for Morton
Feldman, Mark Rothko, Jim O’Rourke) as a kind gesture. Thus, I decided to dedicated "Three
Shaded Leaves” to Bernhard himself as a kind of expression of my highest appreciation to this
great artist and musician.
18th August 2009
Ákos Garai
-
Ákos Garai
started as a drummer at age of 13. After several years of playing with various bands
my music orientation has turned into new directions.
He started composing experimental music by discovering fields of electro-acoustic, abstract, minimal sound art in 2001.
Since 2004 in my main focus are moving micro structures of recorded, edited or processed sound material.
In 2009, I have established 3LEAVES, a record label devoted to release field recordings from all over the world and to present them based on individual concepts for listeners.
2011/07/03
DATA | Yu Miyashita :: Navy See Res in Brighton - MATTER009
artist ::Yu Miyashita
title :: Navy See Res in Brighton
01. In
02. Ash Lug Sun
03. Navy See Res
04. End or First
05. Schlock Ops
06. Sepia Walks Me 1
07. Endwise
08. Sage Asks Pulse
09. Remove Faith
10. Sepia Walks Me 2
+
11. Out
[ additional Special bonus track :: This track is automatically added to the only people who bought the album. ]
ARTIST :: Yu Miyashita
TITLE :: Navy See Res in Brighton
LABEL :: mAtter
CAT NO. :: MATTER009
PRICE :: 1,100 JPYEN
FORMAT :: data ( download only )
RELEASE DATE :: 2011.07.07
mastering : Yu Miyashita
Photo : Yu Miyashita
sleeve design : Yukitomo Hamasak
http://matterlabel.bandcamp.com/navy-see-res-in-brighton
Press Release - July 2011
Japanese musician and composer Yu Miyashita has created a new album especially
for the Tokyo label mAtter.
Each track is named instinctively and then playfully reworked as a random anagram.
All relate to the seven years Miyashita spent in Brighton.
The title to the album and lead track, Navy See Res, is a sound reminder of the starlings
which can be found circling the Brighton shoreline in droves.
Miyashita’s methodology incorporates the use of software cyan/n.
When extending the short samples to create drone sounds he uses Renoise.
Returning to his collection of thousands of one second sound samples,
which he built up during the seven years, Miyashita has selected from them in order
to create his expansive collages of sound and huge soundscapes which are
intense powerful and, at times, mind blowing.
-
Yu Miyashita
Born 1984 Yamanashi Japan. Lives Japan / Brighton United Kingdom.
Much of Yu’s compositions are based on the Glitch and Onkyo branches
of Noise which grew up in the late 1990′s.
Glitch is constructed from digital debris,
errors and the processing (often the misuse, reissue or abuse)
of normally extraneous sounds, instruments and machinery.
Glitch musicians will record bugs, crashes, system errors, hardware noise,
skipping and audio distortion on their computers.
Onkyo is based on free improvisation and also appeared during the late 1990′s.
This type of music is more textural than structural, cutting together elements of
electronic music and even silence.
Yu Miyashita gathers bits of noise intuitively and assembles them into his Onkyo / Glitch / Noise hybrids.
Yu Miyashita website >> here
2011/06/18
DATA | Pe Lang :: interweave - MATTER008
Release . June 18, 2011 - MATTER008
artist :: Pe Lang
title :: interweave
1. ?|oop I
2. spectral.1
3. copyhabit III(long_)
4. spect3.V3.0
-
ARTIST :: Pe Lang
TITLE :: interweave
LABEL :: mAtter
CAT NO. :: MATTER008
PRICE :: 750 JPYEN
FORMAT :: data ( download only )
RELEASE DATE :: 2011.06.18
mastering : Pe lang
sleeve design : Pe Lang
=
Pe Lang
FORMAT :: DATA / digital download
DOWNLOAD STORE is
http://matterlabel.bandcamp.com/album/interweave
RELEASE DATE :: 2011. 06.18
-
Pe Lang
Pe Lang, born in 1974 in Switzerland, lives and works in Zurich and Berlin.
He has exhibited and performed in several important museums,
galleries and festivals, including Transmediale,
Berlin; AV Festival, Newcastle; Elektra,
Montreal; Sonic Acts XII, Amsterdam; Great North Museum,
Newcastle; Växjö Kunsthalle,
Sweden; Dissonanze, Rome; bitforms gallery,
New York; ISEA 2008, Singapore; Netherlands Media Art Institute,
Amsterdam; and Cybersonica, London.
Selected awards and residencies include the Swiss Art Award (2009 & 2010)
Sitemapping/Mediaprojects Award-Bundesamt fur Kultur (2005 & 2008),
artists-in-labs Center for Electronics and Microtechnology (2007) .
www.pelang.ch